“None of the laws of physics seem to apply to the reality that is Sicko Mode, as Travis Scott and Drake hold court in various scenarios filled with abnormal touches that range from over-the-top to larger-than-life.”

-VideoStatic

vfx artists // foreign xchange

agency // mullenlowe

an optical illusion of epic proportions to start the halftime show of Super Bowl LV!

Hip hop heads should prepare to be even more jealous of Drake as he arrives at Nike World Headquarters where he and Lil Durk — plus cameos by sport stars Odell Beckham Jr., and Marshawn Lynch — seemingly have free reign throughout the massive campus.

A passionate and powerful video that reacts to the biggest and most important stories of right now.

director // dave meyers

production // freenjoy

last meal before the super bowl…

if ariana were president…

proud to have contributed title design, finishing and vfx along side our friends at ghost vfx

director // mario sorrenti

videographer // marilou daube

director // mario sorrenti

videographer // marilou daube

everything is over the top in travis scott's cactus jack compound, in addition to an equally bold return by m.i.a.

delivered in imax, “franchise” ran prior to the film tenet in theaters.

proud to have contributed vfx to this piece along with ingenuity studios.

production // freenjoy

director // alex lill

production // somesuch

“The Weeknd appeared on The Late Show to perform his latest single, “Heartless.” The singer kept things hallucinogenic during the performance, which he took to the halls of the late night show’s studio rather than the stage.

In the clip, the Weeknd strolls down the back hallways of the studio, drink in hand, and sings the lyrics into a red microphone as he navigates the network of corridors, where the lights blink and flash. Eventually, he makes his way back onstage as the crowd cheers and Colbert hugs him.”

—Rolling Stone

director // mario sorrenti

videographer // marilou daube

director // gray sorrenti

video // marilou daube

editor // jeremiah shuff

directed by the famed fabien baron, this spot is indescribably gorgeous and has become a beauty icon.

director // fabien baron

agency // baron & baron

these stunning teasers for Ariana’s #1 album “sweetener” find her on a infinite staircase created by MOD. the final matte painting was used as the inside cover of the record.

“Janet Jackson and Daddy Yankee have all of NYC dancing along as the camera zips from location to location, before ending at a set-piece that adds an African edge to the already bouncy mix of Latin and Caribbean vibes.”

-VideoStatic

an explosive performance by the weeknd for the amas!

"This song is for the past, present, and future generations who brave new worlds with nothing guaranteed"—@RichBrian

the first couple of hip-hop get all sexy and yellow…

production // freenjoy

proud to have contributed the opening title design and motion graphics to the latest taylor swift video!

director // dave meyers

vfx // buf

production // freenjoy

things not going your way? uber is here to save the day. you might have seen this one in Super Bowl LIII.

agency // r/ga

production // radical media

Miley Cyrus/D.R.E.A.M

photo // gray sorrenti

video // marilou daube

title design and animation for the ariana grande’s “no tears left to cry video”.

opening cg by buf

this stylish video, featuring emily ratajkowski, certainly leaves you questioning how it was accomplished.

“Win win, win, win, win with Jay Rock and Kendrick Lamar in a succession of slick VFX scenarios that boast championship rings, Stanley Cups, and even a vision of 300 if it took place in Watts.

Win.”

- VideoStatic

director // dave meyers

production // freenjoy

director // alex lill

production // somesuch

“The Weeknd closed out his two-night Late Show residency Friday with a riveting rendition of his new single “Blinding Lights.” The performance marked the first time the singer born Abel Tesfaye had played the song live.

Unlike the previous night’s “Heartless” performance, the Weeknd actually appeared onstage for “Blinding Lights,” but he still went beyond the usual late-night fare with a black-and-white visual that utilized side-by-side screens that captured the Weeknd, standing inside a lit-up cube, both head-on and with his back toward the camera so the Ed Sullivan Theater audience is seen.

Midway through the track, the cameras are repositioned to create an almost mirror effect as Tesfaye eventually exits the cube and moves toward the audience.”

—Rolling Stone

with production taking place over multiple days in buenos aires, this masterfully composed piece, shot by award winning cinematographer paul cameron, was a large component in the launch of ray ban’s “never hide” campaign.

director // michael hausmann

agency // cutwater